Chapter 293 Big Heart
"It's time to put the food on the table, it's time to put the food on the table"
"Eat. Eat."
At the seaside swimming pool of the Intercontinental Hotel, after the crew's call for housekeeping, the staff of "Thieves" lined up to receive their meals.
Jiang Liu, the assistant director, and the leading actors also stopped the discussion at the right time and chose a place to eat.
Prices in Hong Kong are high.
In the Mainland, the set lunches for the crew, which cost sixty-seven yuan for one meat and two vegetarian dishes, cost more than ten yuan, and the quantity and quality were quite different.
Twice, I served 'fried eggs with leeks' as a meat dish, euphemistically calling it a small meat dish. A little bit of broken egg yolk made Jiang Liu curse.
Many people in the crew devoured it.
The ones who are least concerned about their image are the ordinary Korean staff members of the crew.
Jiang Liu likes to stare at the scenes. The first thing that caught his eye when he turned around after the scene was the Korean crew members. They all had expressionless faces and stood straight in the back. They looked extremely scary.
On the other hand, the Korean team members always had a cold face, as if they were owed a lot of money.
At that time, Gao Damao and others were tortured so much that the food problem for the "Monster" crew was solved until the crew ordered convenience lunch boxes produced by CJ Entertainment.
The first impression given by the living and working conditions of the Korean team members in "Thieves" is that they are boring and lifeless.
Not far from the swimming pool, Jiang Liu finished chewing the chicken nuggets in his mouth and asked the Korean assistant director Cui Baoxun not far away.
At the end of one scene, it still looks like a living zombie.
But the strange things that happened to the Korean team members were not just eating.
There is a director's team behind the monitor, and a large production crew may have a row of monitors. In front of it sit the director of photography, lighting director and other middle and senior management of the crew.
When the crew first started filming, Jiang Liu's prestige was so high that many people were afraid of him and didn't dare to speak loudly. It's completely understandable that the crew was lifeless.
Their eating habits are understandable.
Jiang Liu observed for several days and discovered that the crew had three meals a day, and most of the Korean crew members looked like they were reincarnated from starvation at every meal.
Jiang Liu once filmed "Monster" in South Korea.
Generally, when the crew starts filming, the actors stand in front of the camera, and behind the camera are the executive assistant director, lighting engineer, photographer, stylist, makeup artist and other staff who are watching the scene.
"Director Choi, the Korean crew has changed a lot in the past two years."
There were no Korean members. They just stared at the scene from outside the camera, and there was no whisper of communication.
"Yes, Director Jiang."
Jiang Liu was so frightened that he was stunned several times.
In this case, the ordinary members of the crew had already hid and paddled to rest, bragging.
For this reason, Korean team members like the lunch boxes of "Thieves Alliance".
I know very well the food of the Korean crew, and the dishes are only three kinds: a bucket of kimchi, a bucket of lettuce, and a small half bucket of white meat cut into slices.
But after a week, the domestic team members have already grown up, the cameras are not turned on, bragging, spanking and flirting have become the norm.
Cui Baoxun glanced at the Korean team members not far away who were holding lunch boxes and enjoying their meals. He nodded with emotion and did not want to say more.
However, Son Ye-jin explained: "The requirements are too high. They are not allowed to sit or run around. They are not even allowed to speak loudly during breaks. Everyone can only stand quietly outside the camera, waiting for the screenwriter and director to call at any time."
"Actors too?"
"Oppa, the same goes for actors."
Jiang Liu scratched his head in surprise.
He had an illusion that the reason why South Korea produced so many high-quality film and television dramas after 2000 was because of its strict crew system.
He is not jumping to conclusions, but making guesses based on the extremely chaotic working conditions of the domestic crew. The domestic film crew is too chaotic.
He has been an assistant director for many years and has experienced and witnessed many incredible events on the crew.
Most of the extras in the crew are gone, and it is not uncommon for the deputy director of the crew to take the group leaders around the Hengdian scenic spot to catch the extras.
Filming in June and July often required on-site makeup touch-ups. As a result, the director shouted into the intercom and muted his voice. The five makeup artists on the crew couldn't hear him. When they found him, they were still pushing around whose turn it was to go out to touch-up makeup in the bright sun. .
The actor complained that the studio environment was too noisy, could not memorize his lines, and was unwilling to leave the RV. The director begged through the window.
Domestic film crews often work more than ten hours a day, or even 24 hours a day.
But few people know that finding people, finding props, changing scripts, getting angry, shoving work, and maintaining order on the set take up a lot of working time for the crew.
There are so many screw-ups in the country that it is unimaginable. It is not clear whether it will affect the quality of the film and television series, but it will definitely slow down the progress of the crew.
Therefore, Jiang Liu formulated a system for the Yixin crew. Many people in the circle disagreed and called him cold-blooded.
They don't know that Yixin's crew system pales in comparison to the Korean crew system.
However, South Korea's current extremely strict crew system, Jiang Liu has to shoulder at least half of the blame. His no-sitting system has provided many personnel management ideas for Korean crews.
"Director Cui, please have a chat with the Korean crew this afternoon and ask them not to be too nervous. They can talk to their friends during the break. There are many dangerous scenes on the crew, and if the nerves are too nervous, it is easy for mistakes to happen,"
Cui Baoxun nodded and said, "Okay, Director Jiang."
There weren't many scenes at the InterContinental Hotel, so Jiang Liu filmed it until three or four in the afternoon and called it a day.
The work ended early, but the crew couldn't rest. Everyone had to pack their bags and board the ship to Macau overnight.
The crew rarely takes holidays during filming, so filming for "Thieves" continued on the second day after arriving in Macau.
The current of the river was so fast that no one felt any resentment.
Whether it is a Chinese crew or a Korean crew, the 12-hour working time of the "Thieves" crew is relatively short. They can eat, sleep, and make money, and they can't even find excuses to complain.
"huhuhuhu"
On the rooftop of Macau's No. 1 Casino, Son Ye-jin, wearing a black tights, frantically shouted to adjust her breathing.
What is about to be filmed is the most dangerous scene she has ever encountered since her debut. She will be lowered to a floor dozens of meters above the ground by Wia, and then jump out of the window.
"Don't just adjust your breathing, make climbing movements, preferably in one go."
"Hello." Son Yejin said with a stern face, "Oppa, don't forget what you promised me last night."
Jiang Liu nodded speechlessly.
After Son Ye-jin saw the floor height in person, she not only signed the insurance purchased by the crew, but also bought multiple accident insurances herself.
But she still worries about gains and losses.
She made Jiang Liu swear that after her accident, she would occasionally go to South Korea to visit her parents.
Jiang Liu was also asked to promise not to leave silently after she became a vegetative state or lost her arms and legs.
In short, I explained a lot of things that I had and didn’t have.
She was very conflicted: she was afraid, but she also wanted to break through her own drama.
Jiang Liu thought he was such a coward. As soon as his feet fell off the ground, his screams would pierce the sky.
Unexpectedly, Son Ye-jin, who was dragged into the air by Wia and had no leverage, did not panic.
The pretty face on the monitor looked calmer than on the roof.
"This is what is called a big-hearted, competition-type player!"
Jiang Liu praised Son Ye Jindao without hesitation in front of Yan Yan, Cui Baoxun and others.
(End of this chapter)
"It's time to put the food on the table, it's time to put the food on the table"
"Eat. Eat."
At the seaside swimming pool of the Intercontinental Hotel, after the crew's call for housekeeping, the staff of "Thieves" lined up to receive their meals.
Jiang Liu, the assistant director, and the leading actors also stopped the discussion at the right time and chose a place to eat.
Prices in Hong Kong are high.
In the Mainland, the set lunches for the crew, which cost sixty-seven yuan for one meat and two vegetarian dishes, cost more than ten yuan, and the quantity and quality were quite different.
Twice, I served 'fried eggs with leeks' as a meat dish, euphemistically calling it a small meat dish. A little bit of broken egg yolk made Jiang Liu curse.
Many people in the crew devoured it.
The ones who are least concerned about their image are the ordinary Korean staff members of the crew.
Jiang Liu likes to stare at the scenes. The first thing that caught his eye when he turned around after the scene was the Korean crew members. They all had expressionless faces and stood straight in the back. They looked extremely scary.
On the other hand, the Korean team members always had a cold face, as if they were owed a lot of money.
At that time, Gao Damao and others were tortured so much that the food problem for the "Monster" crew was solved until the crew ordered convenience lunch boxes produced by CJ Entertainment.
The first impression given by the living and working conditions of the Korean team members in "Thieves" is that they are boring and lifeless.
Not far from the swimming pool, Jiang Liu finished chewing the chicken nuggets in his mouth and asked the Korean assistant director Cui Baoxun not far away.
At the end of one scene, it still looks like a living zombie.
But the strange things that happened to the Korean team members were not just eating.
There is a director's team behind the monitor, and a large production crew may have a row of monitors. In front of it sit the director of photography, lighting director and other middle and senior management of the crew.
When the crew first started filming, Jiang Liu's prestige was so high that many people were afraid of him and didn't dare to speak loudly. It's completely understandable that the crew was lifeless.
Their eating habits are understandable.
Jiang Liu observed for several days and discovered that the crew had three meals a day, and most of the Korean crew members looked like they were reincarnated from starvation at every meal.
Jiang Liu once filmed "Monster" in South Korea.
Generally, when the crew starts filming, the actors stand in front of the camera, and behind the camera are the executive assistant director, lighting engineer, photographer, stylist, makeup artist and other staff who are watching the scene.
"Director Choi, the Korean crew has changed a lot in the past two years."
There were no Korean members. They just stared at the scene from outside the camera, and there was no whisper of communication.
"Yes, Director Jiang."
Jiang Liu was so frightened that he was stunned several times.
In this case, the ordinary members of the crew had already hid and paddled to rest, bragging.
For this reason, Korean team members like the lunch boxes of "Thieves Alliance".
I know very well the food of the Korean crew, and the dishes are only three kinds: a bucket of kimchi, a bucket of lettuce, and a small half bucket of white meat cut into slices.
But after a week, the domestic team members have already grown up, the cameras are not turned on, bragging, spanking and flirting have become the norm.
Cui Baoxun glanced at the Korean team members not far away who were holding lunch boxes and enjoying their meals. He nodded with emotion and did not want to say more.
However, Son Ye-jin explained: "The requirements are too high. They are not allowed to sit or run around. They are not even allowed to speak loudly during breaks. Everyone can only stand quietly outside the camera, waiting for the screenwriter and director to call at any time."
"Actors too?"
"Oppa, the same goes for actors."
Jiang Liu scratched his head in surprise.
He had an illusion that the reason why South Korea produced so many high-quality film and television dramas after 2000 was because of its strict crew system.
He is not jumping to conclusions, but making guesses based on the extremely chaotic working conditions of the domestic crew. The domestic film crew is too chaotic.
He has been an assistant director for many years and has experienced and witnessed many incredible events on the crew.
Most of the extras in the crew are gone, and it is not uncommon for the deputy director of the crew to take the group leaders around the Hengdian scenic spot to catch the extras.
Filming in June and July often required on-site makeup touch-ups. As a result, the director shouted into the intercom and muted his voice. The five makeup artists on the crew couldn't hear him. When they found him, they were still pushing around whose turn it was to go out to touch-up makeup in the bright sun. .
The actor complained that the studio environment was too noisy, could not memorize his lines, and was unwilling to leave the RV. The director begged through the window.
Domestic film crews often work more than ten hours a day, or even 24 hours a day.
But few people know that finding people, finding props, changing scripts, getting angry, shoving work, and maintaining order on the set take up a lot of working time for the crew.
There are so many screw-ups in the country that it is unimaginable. It is not clear whether it will affect the quality of the film and television series, but it will definitely slow down the progress of the crew.
Therefore, Jiang Liu formulated a system for the Yixin crew. Many people in the circle disagreed and called him cold-blooded.
They don't know that Yixin's crew system pales in comparison to the Korean crew system.
However, South Korea's current extremely strict crew system, Jiang Liu has to shoulder at least half of the blame. His no-sitting system has provided many personnel management ideas for Korean crews.
"Director Cui, please have a chat with the Korean crew this afternoon and ask them not to be too nervous. They can talk to their friends during the break. There are many dangerous scenes on the crew, and if the nerves are too nervous, it is easy for mistakes to happen,"
Cui Baoxun nodded and said, "Okay, Director Jiang."
There weren't many scenes at the InterContinental Hotel, so Jiang Liu filmed it until three or four in the afternoon and called it a day.
The work ended early, but the crew couldn't rest. Everyone had to pack their bags and board the ship to Macau overnight.
The crew rarely takes holidays during filming, so filming for "Thieves" continued on the second day after arriving in Macau.
The current of the river was so fast that no one felt any resentment.
Whether it is a Chinese crew or a Korean crew, the 12-hour working time of the "Thieves" crew is relatively short. They can eat, sleep, and make money, and they can't even find excuses to complain.
"huhuhuhu"
On the rooftop of Macau's No. 1 Casino, Son Ye-jin, wearing a black tights, frantically shouted to adjust her breathing.
What is about to be filmed is the most dangerous scene she has ever encountered since her debut. She will be lowered to a floor dozens of meters above the ground by Wia, and then jump out of the window.
"Don't just adjust your breathing, make climbing movements, preferably in one go."
"Hello." Son Yejin said with a stern face, "Oppa, don't forget what you promised me last night."
Jiang Liu nodded speechlessly.
After Son Ye-jin saw the floor height in person, she not only signed the insurance purchased by the crew, but also bought multiple accident insurances herself.
But she still worries about gains and losses.
She made Jiang Liu swear that after her accident, she would occasionally go to South Korea to visit her parents.
Jiang Liu was also asked to promise not to leave silently after she became a vegetative state or lost her arms and legs.
In short, I explained a lot of things that I had and didn’t have.
She was very conflicted: she was afraid, but she also wanted to break through her own drama.
Jiang Liu thought he was such a coward. As soon as his feet fell off the ground, his screams would pierce the sky.
Unexpectedly, Son Ye-jin, who was dragged into the air by Wia and had no leverage, did not panic.
The pretty face on the monitor looked calmer than on the roof.
"This is what is called a big-hearted, competition-type player!"
Jiang Liu praised Son Ye Jindao without hesitation in front of Yan Yan, Cui Baoxun and others.
(End of this chapter)
